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<channel>
	<title>barancaginli.com</title>
	<link>https://barancaginli.com</link>
	<description>barancaginli.com</description>
	<pubDate>Thu, 22 Jan 2026 18:27:49 +0000</pubDate>
	<generator>https://barancaginli.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Lost and Found</title>
				
		<link>https://barancaginli.com/Lost-and-Found</link>

		<pubDate>Thu, 22 Jan 2026 18:27:49 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Lost-and-Found</guid>

		<description>
	Lost and Found
2025, baked bread,ceramic molds,storage shelves,photos, archival postcards


	


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/739e02d22c0285737d57a835a9b5055875d92018ccfff684f0bbd097016fe42b/PA2B9952.JPG" data-mid="243828378" border="0"  src="https://freight.cargo.site/w/1000/i/739e02d22c0285737d57a835a9b5055875d92018ccfff684f0bbd097016fe42b/PA2B9952.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Lost and Found, detail, baked bread in the form of Mikhail Kalinin monument’s handThe exhibition 'Lost and Found' explores the intersections of materiality and memory through a series of edible bread sculptures that trace the stories of dissected and lost monuments from Estonia, Lithuania, Romania, and Moldova. Using temporary material, bread to reflect on socio-political and cultural histories, the project aims to delve into instances of civil political action involving the subversion of political posture by stealing small parts of the monuments, such as fingers or hands. The missing parts of the monuments were recreated using photogrammetry and 3D scanning from old photographs and postcards, and ceramic moulds were created.

During the exhibition, visitors are invited to participate in a ceremonial act by consuming these reproduced, edible fragments, choosing to eat, share, or keep them like relics.
The exhibition took place at the Oksasenkatu 11 gallery in Helsinki from 5 December 2025 to 2 January 2026. The project supported by TAIKE, Otto A. Malm Foundation and Tranzit.org/iasi.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/7e35ea6f6ba0b975d2de25b89813cffcbc25a363fb8fb513c7b096ac5772b3de/PA2B9940.JPG" data-mid="243828377" border="0"  src="https://freight.cargo.site/w/1000/i/7e35ea6f6ba0b975d2de25b89813cffcbc25a363fb8fb513c7b096ac5772b3de/PA2B9940.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Lost and Found, detail, baked bread in the form of Lenin monument’s nose

&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/616704c8cd74f00e72b17d06cd075b50272f22e1a1144220d7c2e4e75e6ce0d4/PA2B9958.JPG" data-mid="243828442" border="0"  src="https://freight.cargo.site/w/1000/i/616704c8cd74f00e72b17d06cd075b50272f22e1a1144220d7c2e4e75e6ce0d4/PA2B9958.JPG" /&#62;
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&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/13e7b162e822c845ea1fbf389548018cc841580d602e39da3d7e8f0cf14f2012/PA2B9982.JPG" data-mid="243828496" border="0"  src="https://freight.cargo.site/w/1000/i/13e7b162e822c845ea1fbf389548018cc841580d602e39da3d7e8f0cf14f2012/PA2B9982.JPG" /&#62;
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&#60;img width="5088" height="3557" width_o="5088" height_o="3557" data-src="https://freight.cargo.site/t/original/i/3fd5e24b87538f67676d78269d0216cd6dfc4832ef610be0cdcfa4a51ab4495e/PA2B9971.JPG" data-mid="243829563" border="0"  src="https://freight.cargo.site/w/1000/i/3fd5e24b87538f67676d78269d0216cd6dfc4832ef610be0cdcfa4a51ab4495e/PA2B9971.JPG" /&#62;
&#60;img width="5615" height="3743" width_o="5615" height_o="3743" data-src="https://freight.cargo.site/t/original/i/96257e4ff348dd7436d256b1d28ca619c93c662025e350ff6a5ef5495c8620b5/PA2B9983.JPG" data-mid="243828487" border="0"  src="https://freight.cargo.site/w/1000/i/96257e4ff348dd7436d256b1d28ca619c93c662025e350ff6a5ef5495c8620b5/PA2B9983.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/bcdd83816501a055c9f17d2458a10a454c5059c93e4b3d559be73b7e96d9757c/PA2B9968.JPG" data-mid="243829562" border="0"  src="https://freight.cargo.site/w/1000/i/bcdd83816501a055c9f17d2458a10a454c5059c93e4b3d559be73b7e96d9757c/PA2B9968.JPG" /&#62;
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&#60;img width="16320" height="12240" width_o="16320" height_o="12240" data-src="https://freight.cargo.site/t/original/i/7a7e8d4ba5393550be0aee842c99d0f8ff29207623dd8020116d88245c72ebc8/20260102_170308.jpg" data-mid="243829574" border="0"  src="https://freight.cargo.site/w/1000/i/7a7e8d4ba5393550be0aee842c99d0f8ff29207623dd8020116d88245c72ebc8/20260102_170308.jpg" /&#62;
&#60;img width="16320" height="12240" width_o="16320" height_o="12240" data-src="https://freight.cargo.site/t/original/i/5c6e374109cab0088dd7a1588f7bc1fbccebe3e722b070c0a89f9f6cad23f8e2/20260102_170102.jpg" data-mid="243829567" border="0"  src="https://freight.cargo.site/w/1000/i/5c6e374109cab0088dd7a1588f7bc1fbccebe3e722b070c0a89f9f6cad23f8e2/20260102_170102.jpg" /&#62;
&#60;img width="16320" height="12240" width_o="16320" height_o="12240" data-src="https://freight.cargo.site/t/original/i/14c45ddd86fbe9e1528e2c1f63d521363e68b937b87d9555e4787f3a1f5786a0/20260102_170244.jpg" data-mid="243829569" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/14c45ddd86fbe9e1528e2c1f63d521363e68b937b87d9555e4787f3a1f5786a0/20260102_170244.jpg" /&#62;
&#60;img width="16320" height="12240" width_o="16320" height_o="12240" data-src="https://freight.cargo.site/t/original/i/4dcb2c5dcdc520a1bb4b3cc73a70a5ad648bee44ae0f7a5e463c60b24db112a1/20260102_172205.jpg" data-mid="243829580" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/4dcb2c5dcdc520a1bb4b3cc73a70a5ad648bee44ae0f7a5e463c60b24db112a1/20260102_172205.jpg" /&#62;
&#60;img width="16320" height="12240" width_o="16320" height_o="12240" data-src="https://freight.cargo.site/t/original/i/534d15c6005968c82e7c67d387372e99bdebc14fb013bdc10e1906315b25e0a6/20260102_172133.jpg" data-mid="243829577" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/534d15c6005968c82e7c67d387372e99bdebc14fb013bdc10e1906315b25e0a6/20260102_172133.jpg" /&#62;
&#60;img width="4690" height="3126" width_o="4690" height_o="3126" data-src="https://freight.cargo.site/t/original/i/18838dc65e92b5aa3351016ad8903b8be62f65c3a209138dd4e9f44313fb103e/PA2B9974.JPG" data-mid="243829565" border="0"  src="https://freight.cargo.site/w/1000/i/18838dc65e92b5aa3351016ad8903b8be62f65c3a209138dd4e9f44313fb103e/PA2B9974.JPG" /&#62;
&#60;img width="5634" height="3756" width_o="5634" height_o="3756" data-src="https://freight.cargo.site/t/original/i/4396f47f8352eb7f46b0ed5d41d167f660f897871d76d2e10d45f3c3dfa8934d/PA2B9966.JPG" data-mid="243829582" border="0"  src="https://freight.cargo.site/w/1000/i/4396f47f8352eb7f46b0ed5d41d167f660f897871d76d2e10d45f3c3dfa8934d/PA2B9966.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/1b537da0a3738c14e0e89a1d449946f00c5c8b489477bf72a9302a643db56d1f/PA2B9981.JPG" data-mid="243828495" border="0"  src="https://freight.cargo.site/w/1000/i/1b537da0a3738c14e0e89a1d449946f00c5c8b489477bf72a9302a643db56d1f/PA2B9981.JPG" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Lost and Found, exhibition view from Oksasenkatu 11 gallery, Helsinki 2025

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Starry Night</title>
				
		<link>https://barancaginli.com/Starry-Night</link>

		<pubDate>Mon, 21 Jul 2025 09:03:23 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Starry-Night</guid>

		<description>
	


Starry Night&#38;nbsp;
2025, 
240x120 cm, 
1500 bullet casings 
on wood




	&#60;img width="4972" height="2760" width_o="4972" height_o="2760" data-src="https://freight.cargo.site/t/original/i/e0e39b25f234e62a2927763ca48fd8b65900b512b222660d22858b4a20fa070e/1.JPG" data-mid="236068403" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/e0e39b25f234e62a2927763ca48fd8b65900b512b222660d22858b4a20fa070e/1.JPG" /&#62;Starry Night, exhibition view from Stoa Gallery, Helsinki 2025


The Starry Night is an iconic oil painting by Vincent van Gogh, painted in June 1889. It depicts the view from the east-facing window of his asylum room in Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. 

Van Gogh's starry night is reproduced by interpreting it with a photograph taken during the war in Gaza by using bullet casing. Each bullet casing is hammered, flattened and cut to mimic Van Gogh's expressive brushstrokes. The swirling night sky, rendered in metallic fragments, refers to the flares fired by the Israeli army that illuminate the sky instead of the stars and moon. If Van Gogh were looking out of an east-facing window today, this might be the view he would see.
&#60;img width="1280" height="770" width_o="1280" height_o="770" data-src="https://freight.cargo.site/t/original/i/521415799aa60c63638abdf6dc4e96ebf3c14163c1a5eeb87313e053719293e9/27712bc0-ac20-472a-a7c6-f9c95ae7302d.jpg" data-mid="236068405" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/521415799aa60c63638abdf6dc4e96ebf3c14163c1a5eeb87313e053719293e9/27712bc0-ac20-472a-a7c6-f9c95ae7302d.jpg" /&#62;


Flares fired by the Israeli army illuminate the sky over Al-Shati refugee camp in Gaza on November 6.&#38;nbsp;Ali Jadallah/Anadolu




&#60;img width="5672" height="3781" width_o="5672" height_o="3781" data-src="https://freight.cargo.site/t/original/i/341478f66b68828dd960e8df9e9f2a12c8f5e3b87b20db699f3a13faeb04999e/2.JPG" data-mid="236068404" border="0"  src="https://freight.cargo.site/w/1000/i/341478f66b68828dd960e8df9e9f2a12c8f5e3b87b20db699f3a13faeb04999e/2.JPG" /&#62;
Starry Night, detail
</description>
		
	</item>
		
		
	<item>
		<title>Baking Books</title>
				
		<link>https://barancaginli.com/Baking-Books</link>

		<pubDate>Thu, 28 Sep 2023 17:17:02 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Baking-Books</guid>

		<description>
	
	


	
Baking Books
2023,Baked bread, ceramic moulds,&#38;nbsp;leaflet
	&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/5757cbc6685a3d2146be067ae5b5e4c89dca753d5e2f73e29bb1c39d7e96484c/PA2B4499.JPG" data-mid="192159484" border="0"  src="https://freight.cargo.site/w/1000/i/5757cbc6685a3d2146be067ae5b5e4c89dca753d5e2f73e29bb1c39d7e96484c/PA2B4499.JPG" /&#62;On September 12, 1980, the 
Turkish Armed Forces carried out 
the third successful military coup
in the history of the 
Republic of 
Turkey. The Parliament and the 
Government were dissolved. The 
immunities of the members of the 
parliament were revoked. Political
party activities were banned. 
Party and union buildings and 
facilities were 
confiscated by the
martial law and garrison 
commandership. Immediately after 
the Coup d’État, thousands of 
people
 were abruptly taken into 
custody from their homes and 
brought to police stations, public
buildings, private estates 
and 
facilities that would from then on
be used as places of torture.
Following the 1980 Coup d’État,
grave violations of human rights 
continued in a widespread and 
systematic manner 
in Turkey. 
Tortures, enforced disappearances, extrajudicial/arbitrary executions,
sexual violence, and death 
sentences that became the 
practices of the period were 
committed.As a high school student in 
Istanbul, my father was a member 
of a leftist youth organization. 
The military police 
imprisoned and
tortured him because of his 
involvement in political actions. 
When my grandfather heard about 
his 
son’s incarceration, he 
travelled from a village near Kars,
a city in the Kurdish region, to 
Istanbul to bring his son 
home. My
father took with him his library 
of forbidden Marxist-Leninist 
books. These were unknown to my
grandfather. He was illiterate 
and saw no harm in taking the 
books with them, which he thought 
were school books.
 On their 
arrival someone from the village 
warned my grandfather about
the books: They were prohibited 
literature and 
if found, everyone
in the house would get arrested!

To solve the situation, my 
grandparents decided to burn
them in their fireplace. But the
quantity of the books was so 
large that the constant fire made
some people in the village 
suspect that something unusual was going on. To obscure 
their 
actions my grandmother started to 
bake bread continuously for a week 
and gave it out for free to the
 
whole village.

I baked bread in the form of Lenin, Marx and Rosa Luxemburg in memory of my father’s burned books. The bread shared 
among the visitors in the exhibition space.













&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/478edcee24dd170795c8ee3473943d0d5a4bd3c38d418051311af8f8a068f728/PA2B4512.JPG" data-mid="192159488" border="0"  src="https://freight.cargo.site/w/1000/i/478edcee24dd170795c8ee3473943d0d5a4bd3c38d418051311af8f8a068f728/PA2B4512.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/715dfcc35f0b969e6f5f1c66f3de29c7fd8140157fde908eb9f7f48e3b9eae22/PA2B4500.JPG" data-mid="192159485" border="0"  src="https://freight.cargo.site/w/1000/i/715dfcc35f0b969e6f5f1c66f3de29c7fd8140157fde908eb9f7f48e3b9eae22/PA2B4500.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/07926086ed3b622933fa73915f341e69f2287ac21607ee15ee940c894cb6ee8c/PA2B4496.JPG" data-mid="192159482" border="0"  src="https://freight.cargo.site/w/1000/i/07926086ed3b622933fa73915f341e69f2287ac21607ee15ee940c894cb6ee8c/PA2B4496.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Expressions</title>
				
		<link>https://barancaginli.com/Expressions</link>

		<pubDate>Thu, 16 Sep 2021 19:17:50 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Expressions</guid>

		<description>
	

	Expressions2021,Neon sign



	The work is based on a famous phrase from the movie The Wizard of Oz(1939). After a tornado 
transports her to a strange place, the main character Dorothy utters the words ‘’There is no place
 like home’’ three times in order to return to her farm in Kansas. The neon sign in Caginli’s work 
breaks up the sentence into amputated forms – ‘’There is no home’’ and ‘’No place home’’ – as a
 reference to refugees who are forced to leave their  homeland  due to war and other crises. It 
evokes both the longing to return and the changed circumstances that refugees might face if 
allowed to return: ‘home’ would no longer be the same, it might be destroyed, loved ones vanished,
 and they themselves might be permanently scarred by traumatizing experiences.
Commissioned by HAM/Helsinki Biennial 2021

	
&#60;img width="5350" height="3567" width_o="5350" height_o="3567" data-src="https://freight.cargo.site/t/original/i/604e517eef7e82fbf5be0aaf19e0faabccec8ae925027974b359d57c5b684e04/HB_21_Caginli_Luotsitalo-2.jpg" data-mid="119117712" border="0"  src="https://freight.cargo.site/w/1000/i/604e517eef7e82fbf5be0aaf19e0faabccec8ae925027974b359d57c5b684e04/HB_21_Caginli_Luotsitalo-2.jpg" /&#62;


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Expressions, 2021 ©Maija Toivanen/HAM/Helsinki Biennial 2021



</description>
		
	</item>
		
		
	<item>
		<title>Carbon as a Political Molecule</title>
				
		<link>https://barancaginli.com/Carbon-as-a-Political-Molecule</link>

		<pubDate>Thu, 16 Sep 2021 18:15:58 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Carbon-as-a-Political-Molecule</guid>

		<description>
	
	

	

Carbon a
	
s a Political 
Molecule2021,Fabric and found footage archive


	


















The work consist
of a world map patched together from camouflage patterns used by armies 
around the world. Each pattern is designed to blend with the local climate, vegetation
and 
seasons. The piece is a commentary on enviromental disasters, 34% of which
are caused by war, 
reports the UN. The work points out that militarism and
the arms industry are instrument of 
capitalism. Their climat impacts and human
losses affect everyone globally; their adverse effects 
are transboundary, making
us all victims of war, if indirectly.
Commissioned by HAM/Helsinki Biennial 2021&#38;nbsp;



	
	

	
	&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/7c2881452ed715fe6209fee554f006bfb7b7fc7d1e9adceab924d041d79c948f/Carbon-as-a-Political-Moleculeexhibition_view_1.jpg" data-mid="119110817" border="0"  src="https://freight.cargo.site/w/1000/i/7c2881452ed715fe6209fee554f006bfb7b7fc7d1e9adceab924d041d79c948f/Carbon-as-a-Political-Moleculeexhibition_view_1.jpg" /&#62;&#38;nbsp; &#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Carbon as a Political Molecule,Exhibition view,HAM/Helsinki Biennial 2021





&#60;img width="7706" height="5037" width_o="7706" height_o="5037" data-src="https://freight.cargo.site/t/original/i/125912a03379a540ccbba9600215018077567b09941f9d68f299cf878eb9c741/Carbon-as-a-Political-Molecule_exhibition_view2.jpg" data-mid="119110816" border="0"  src="https://freight.cargo.site/w/1000/i/125912a03379a540ccbba9600215018077567b09941f9d68f299cf878eb9c741/Carbon-as-a-Political-Molecule_exhibition_view2.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp;Carbon as a Political Molecule,Exhibition view ©Maija Toivanen/HAM/Helsinki Biennial 2021


&#60;img width="5493" height="3743" width_o="5493" height_o="3743" data-src="https://freight.cargo.site/t/original/i/676fd79ee3e94ec9f59ea0b0e38797068598046bbc0ae1c21e8f9c9043c40aef/Carbon-as-a-Political-Molecule_detail_1.jpg" data-mid="119110798" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/676fd79ee3e94ec9f59ea0b0e38797068598046bbc0ae1c21e8f9c9043c40aef/Carbon-as-a-Political-Molecule_detail_1.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Carbon as a Political Molecule,detail,HAM/Helsinki Biennial 2021

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


	
&#60;img width="984" height="1512" width_o="984" height_o="1512" data-src="https://freight.cargo.site/t/original/i/917ddd488cfd963f262efafef65fbd63315b462d2d5a25017071838d70698774/propaganda_leaflet-american_japan-back.jpg" data-mid="119114069" border="0"  src="https://freight.cargo.site/w/984/i/917ddd488cfd963f262efafef65fbd63315b462d2d5a25017071838d70698774/propaganda_leaflet-american_japan-back.jpg" /&#62;
&#60;img width="2918" height="4538" width_o="2918" height_o="4538" data-src="https://freight.cargo.site/t/original/i/ea0682f465880ab4b1f8334a897440becc69ed0aff83e187181e2e9441914022/propaganda_leaflet-american_japan-front.jpg" data-mid="119114067" border="0"  src="https://freight.cargo.site/w/1000/i/ea0682f465880ab4b1f8334a897440becc69ed0aff83e187181e2e9441914022/propaganda_leaflet-american_japan-front.jpg" /&#62;
&#60;img width="2200" height="2302" width_o="2200" height_o="2302" data-src="https://freight.cargo.site/t/original/i/462eef677d212d01e6092dfb4678e9b174e9c7bbf845421be9f2e586703a0b99/leaflet-1.jpg" data-mid="119114640" border="0"  src="https://freight.cargo.site/w/1000/i/462eef677d212d01e6092dfb4678e9b174e9c7bbf845421be9f2e586703a0b99/leaflet-1.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Carbon as a Political Molecule,detail from found footage archive






</description>
		
	</item>
		
		
	<item>
		<title>Unable to recognize fingerprint</title>
				
		<link>https://barancaginli.com/Unable-to-recognize-fingerprint</link>

		<pubDate>Thu, 16 Sep 2021 19:45:32 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Unable-to-recognize-fingerprint</guid>

		<description>
	
	

	

Unable to recognize
 fingerprint&#38;nbsp;
2020,
100x130cm, sanded European 
map by hand
	

The EU asylum process is governed by the Dublin Regulation, which requires people to apply for 
protection in the first country they enter. Most of the refugees don’t want to examine their asylum 
applications in those first countries such as Greece, Italy, Spain, etc. because of the countries’ refugee
 policies, camp conditions and economical situations. For this reason, refugees trying to move and seek
 asylum in second or third countries rather than first countries.

Since 2003, the European Union is using EURODAC system ​(European Dactyloscopy) to control irregular
 border-crossers between European Union countries and identifying asylum seekers via their fingerprints.
 With Eurodac, refugees cannot seek asylum in any country other than the country from which they 
entered Europe and were first gave fingerprints. Many of them stuck in refugee camps like a prison with
 terrible conditions.

Refugees started to erase their fingerprints with sandpaper, acid, or using a knife, razor and mutilate the
 fingerprints so as not to be identified with the Eurodac system. In the work, European map sanded by an
 artist, only using hands. As a result, European countries and the borders erased and became undefinable,
 and same time artist whose fingerprints erased has became unidentifiable, like refugees who erase their 
identity to survive.The work was produced as part of the project Conditions of Peace


	
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/89019bbf98edcd8d3c1ec95ed13f9664c195499fad7d5fba4e9c4aba12cf8621/Unable-to-recognize-fingerprint_Baran-Caginli.jpg" data-mid="119120742" border="0"  src="https://freight.cargo.site/w/1000/i/89019bbf98edcd8d3c1ec95ed13f9664c195499fad7d5fba4e9c4aba12cf8621/Unable-to-recognize-fingerprint_Baran-Caginli.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Untitle</title>
				
		<link>https://barancaginli.com/Untitle</link>

		<pubDate>Wed, 09 Sep 2020 10:21:32 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Untitle</guid>

		<description>


	



















Untitle



2020,8 laser cut photographic prints on 
aluminum







	



















Untitle is a photo series of various satellite views locations in Turkey,
Spain, Italy, Poland, France, USA. These locations are used as military bases,
state buildings and unknown facilities. The censoring creates a new aesthetic
where architecture, environmental planning, vegetation blur together. The
prints are cut to the censored area’s shape.








	
	


&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4b17dfe23c2727ce3c6c7dacebe60549ab97d1c3638efd10eba51bc7e5bebeb8/2.JPG" data-mid="82204678" border="0"  src="https://freight.cargo.site/w/1000/i/4b17dfe23c2727ce3c6c7dacebe60549ab97d1c3638efd10eba51bc7e5bebeb8/2.JPG" /&#62;
&#60;img width="3973" height="3303" width_o="3973" height_o="3303" data-src="https://freight.cargo.site/t/original/i/d37681625dc77ea892b2809b4bcf0536c0ed446e3b6fe8bc69d2920a8c27b2c6/1.JPG" data-mid="82204677" border="0"  src="https://freight.cargo.site/w/1000/i/d37681625dc77ea892b2809b4bcf0536c0ed446e3b6fe8bc69d2920a8c27b2c6/1.JPG" /&#62;
&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b5cba7f15d0c07d1b35637084e7c119102fdbac9696bbb3ea4cba1006b157b43/7.jpg" data-mid="82204683" border="0"  src="https://freight.cargo.site/w/1000/i/b5cba7f15d0c07d1b35637084e7c119102fdbac9696bbb3ea4cba1006b157b43/7.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/64b79e22574bae6d9473b4b0d1f1511ae3359544a911c6913ba21c980fc6ca9f/5.JPG" data-mid="82204681" border="0"  src="https://freight.cargo.site/w/1000/i/64b79e22574bae6d9473b4b0d1f1511ae3359544a911c6913ba21c980fc6ca9f/5.JPG" /&#62;
&#60;img width="2976" height="2137" width_o="2976" height_o="2137" data-src="https://freight.cargo.site/t/original/i/6cd69efdc69672305d5bca801b22069acae68f2fe1cb4c41a2237c404b837664/8.jpg" data-mid="82205339" border="0"  src="https://freight.cargo.site/w/1000/i/6cd69efdc69672305d5bca801b22069acae68f2fe1cb4c41a2237c404b837664/8.jpg" /&#62;
&#60;img width="4555" height="2656" width_o="4555" height_o="2656" data-src="https://freight.cargo.site/t/original/i/4defea5606c092b53968f26ad6d4c1ec31dac940a1ee05c5c56696782ab18f76/8-1.JPG" data-mid="82205350" border="0"  src="https://freight.cargo.site/w/1000/i/4defea5606c092b53968f26ad6d4c1ec31dac940a1ee05c5c56696782ab18f76/8-1.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/89bc185e5facbf95165f4c4c49db64d65edf803f62e2682e7790da5a11f0cc24/4.JPG" data-mid="82204680" border="0"  src="https://freight.cargo.site/w/1000/i/89bc185e5facbf95165f4c4c49db64d65edf803f62e2682e7790da5a11f0cc24/4.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/44f41c429ab371731f1fdc59d649a08b953376457d4457ed570b910be19918d0/3.JPG" data-mid="82204679" border="0"  src="https://freight.cargo.site/w/1000/i/44f41c429ab371731f1fdc59d649a08b953376457d4457ed570b910be19918d0/3.JPG" /&#62;
&#60;img width="5593" height="3631" width_o="5593" height_o="3631" data-src="https://freight.cargo.site/t/original/i/b7825bc91ae90e301b92e23a6cba0efb16ec5bef0d5ce40055f05bfb76039385/exhibition-view.JPG" data-mid="82205822" border="0"  src="https://freight.cargo.site/w/1000/i/b7825bc91ae90e301b92e23a6cba0efb16ec5bef0d5ce40055f05bfb76039385/exhibition-view.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Blackout</title>
				
		<link>https://barancaginli.com/Blackout</link>

		<pubDate>Wed, 09 Sep 2020 08:59:29 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Blackout</guid>

		<description>
	&#60;img width="5906" height="8268" width_o="5906" height_o="8268" data-src="https://freight.cargo.site/t/original/i/35b6b27f1089dcd6e2a997b588d2bc182f9bf38bb0819e58be0f9489b4b26df1/baran_blackout_poster.jpg" data-mid="82193791" border="0"  src="https://freight.cargo.site/w/1000/i/35b6b27f1089dcd6e2a997b588d2bc182f9bf38bb0819e58be0f9489b4b26df1/baran_blackout_poster.jpg" /&#62;


	


BLACKOUT

*


The Oxford English Dictionary defines ‘off the map’ as a description of something ‘out of existence... an insignificant position; of no account; obsolete’. This plays on the usual and common-sense understanding of maps: that they show what exists and that they do so accurately. Maps are generally perceived to be an accurate mirror or graphic representation of some aspect of the real world; cartography is defined as a factual science. But as a wealth of research within the ‘new geography’ has argued at length, the map is an intensely political object (Mark Neocleous, 2003, European Journal of Social Theory ).

Nowadays, the maps are easy to reach via online mapping services. Because they are so easy to access, cartographic censorship becomes a priority for the states. On states’ request, these online platforms ‘blackout’ specific, strategic places such as military bases, power plants, specific geographical formations. Even refugee camps, languages, cultures are blackout as a construction of colonial space, and exercise of imperial violence. As a form of knowledge, maps have therefore been brought under the veil of secrecy which shrouds the modern state (Neocleous, 2003).

'Blackout' dwells on cartographic censorship with pixelated, blurred and transformed images of the places and people which are created by states and nonexistent for us.

* Blackout,

27.08 – 13.09.2020,&#38;nbsp;


MAA-tila Project Space, HelsinkiThe exhibition has been supported by Taike Arts promotion centre Finland
www.maatilaprojectspace.fi/

	
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	
&#60;img width="2480" height="1748" width_o="2480" height_o="1748" data-src="https://freight.cargo.site/t/original/i/cf57a9e510d8385642635c62ee75394a5b654898d5a75c950463c115d9473310/p3.jpg" data-mid="82194130" border="0" alt="Vacation in Greece" data-caption="Vacation in Greece" src="https://freight.cargo.site/w/1000/i/cf57a9e510d8385642635c62ee75394a5b654898d5a75c950463c115d9473310/p3.jpg" /&#62;

	
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/d77b26d6c94b392b140c84f58f154db9e95cfa597ea9e196d3327b12e4352586/BRN_3533.JPG" data-mid="82194151" border="0" alt="No street names in Palestine" data-caption="No street names in Palestine" src="https://freight.cargo.site/w/1000/i/d77b26d6c94b392b140c84f58f154db9e95cfa597ea9e196d3327b12e4352586/BRN_3533.JPG" /&#62;

	
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4b17dfe23c2727ce3c6c7dacebe60549ab97d1c3638efd10eba51bc7e5bebeb8/2.JPG" data-mid="82205398" border="0" alt="Untitle" data-caption="Untitle" src="https://freight.cargo.site/w/1000/i/4b17dfe23c2727ce3c6c7dacebe60549ab97d1c3638efd10eba51bc7e5bebeb8/2.JPG" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>No street names in Palestine</title>
				
		<link>https://barancaginli.com/No-street-names-in-Palestine</link>

		<pubDate>Tue, 08 Sep 2020 21:12:01 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/No-street-names-in-Palestine</guid>

		<description>
	

















No street names
in Palestine
2020,

















Cement, 125x105x11 cm

















	No street names
in Palestine is a sculpture work about ‘invisible’&#38;nbsp; Palestine geography by cartographic
censorship.&#38;nbsp; 95% of Palestinian streets,
unnamed, non-places, are invisible in online maps, except the streets where
Israeli settlers live. 



Israel limits the entry of basic essentials including water, fuel and
building materials to Gaza. After Israel bombardments, Palestinians try to rebuild
the city. The Israel government has repeatedly banned the importing of cement,
which is monopolized and sold by Israeli cement companies who procure cement
for separation wall, checkpoints and to occupant settlers' constructions. With
these blockages, it has become impossible to rebuild Palestine. In 2012 the UN
warned that the Palestinian coastal enclave would become “uninhabitable” by
2020 as a result of the restrictions.
The sculpture work is made of cement. The outlines of
the West Bank and Gaza are filled with cement dust, bearing the mark of a
bulldozer track which Israeli settlers are using for destroying local’s homes.
This mark is creating ‘new topography’ of the country and at the same time
trampling the language and the people.







	
	
&#60;img width="3836" height="5004" width_o="3836" height_o="5004" data-src="https://freight.cargo.site/t/original/i/7ebde8abe1f9bd5825446d755a12010b0e06e0c4e66b929e0307f398b83dd698/BRN_3535.JPG" data-mid="82145483" border="0"  src="https://freight.cargo.site/w/1000/i/7ebde8abe1f9bd5825446d755a12010b0e06e0c4e66b929e0307f398b83dd698/BRN_3535.JPG" /&#62;
&#60;img width="5537" height="3691" width_o="5537" height_o="3691" data-src="https://freight.cargo.site/t/original/i/c1e086220e6ea53b8a1b492c6d3bb829aca734399bf7407f3fc6a0185bbe5eb2/BRN_3527.JPG" data-mid="82145479" border="0"  src="https://freight.cargo.site/w/1000/i/c1e086220e6ea53b8a1b492c6d3bb829aca734399bf7407f3fc6a0185bbe5eb2/BRN_3527.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/88bdea4dacb0790cb27ea92c67dad730baab7f1d5958079e08f46561bedc17eb/BRN_3607.JPG" data-mid="82145486" border="0"  src="https://freight.cargo.site/w/1000/i/88bdea4dacb0790cb27ea92c67dad730baab7f1d5958079e08f46561bedc17eb/BRN_3607.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Vacation in Greece</title>
				
		<link>https://barancaginli.com/Vacation-in-Greece</link>

		<pubDate>Tue, 08 Sep 2020 18:36:35 +0000</pubDate>

		<dc:creator>barancaginli.com</dc:creator>

		<guid isPermaLink="true">https://barancaginli.com/Vacation-in-Greece</guid>

		<description>
	


&#38;nbsp; &#38;nbsp; Vacation in Greece


















&#38;nbsp; 2020, &#38;nbsp; 3D print, 100x54x7 cm&#38;nbsp; Digital prints, 14x21 cm each








 
	
Vacation in
Greece refers to cartographic censorship in the Aegean
Sea with sculpture work and photos from satellite views. Greece has a huge
amount of censored areas in online maps, such as military zones, refugee camps
and civil airports. These are usually blurred or pixelated in two dimensions,
however, Cephalonia International Airport is censored in three dimensions. The
sculpture is a 3D printed model of the Cephalonia airport created via
photogrammetry with 6000 satellite images.



 &#38;nbsp;

	
	

    

    



	
	
&#60;img width="5581" height="3721" width_o="5581" height_o="3721" data-src="https://freight.cargo.site/t/original/i/05a8b5bfc7f6d50c558181f93e9c1a16872bf9087f862199be52b36e5fee0410/Vacation_in_Greece_4.JPG" data-mid="82132300" border="0"  src="https://freight.cargo.site/w/1000/i/05a8b5bfc7f6d50c558181f93e9c1a16872bf9087f862199be52b36e5fee0410/Vacation_in_Greece_4.JPG" /&#62;
&#60;img width="5455" height="3637" width_o="5455" height_o="3637" data-src="https://freight.cargo.site/t/original/i/015de0795d1e72b92258c0c6ef836a047f69e91c7a2d3884700dac1bb9376eb4/Vacation_in_Greece_2.JPG" data-mid="82132211" border="0"  src="https://freight.cargo.site/w/1000/i/015de0795d1e72b92258c0c6ef836a047f69e91c7a2d3884700dac1bb9376eb4/Vacation_in_Greece_2.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/b893cd37e1ba645e5fded7936419957f7a1b09e785b32ccd2c60b039df036253/Vacation_in_Greece_1.JPG" data-mid="82132161" border="0"  src="https://freight.cargo.site/w/1000/i/b893cd37e1ba645e5fded7936419957f7a1b09e785b32ccd2c60b039df036253/Vacation_in_Greece_1.JPG" /&#62;
&#60;img width="5613" height="3743" width_o="5613" height_o="3743" data-src="https://freight.cargo.site/t/original/i/b7fc45e9368e72ebac01675bd4bff016bb011e4f2785acf22cb9e5e915453c6e/Vacation_in_Greece_3.JPG" data-mid="82131405" border="0"  src="https://freight.cargo.site/w/1000/i/b7fc45e9368e72ebac01675bd4bff016bb011e4f2785acf22cb9e5e915453c6e/Vacation_in_Greece_3.JPG" /&#62;


	
	


















 



In the photo series, the sea is pixelated around the islands in online
maps. The Greek state censored the continental shelf, in particular areas in
Aegean Sea, like in those photos. The reason for the censorship is a
backward-looking problem between Greece and Turkey: they both lay a claim on maritime
boundaries defined by the continental shelf. In 1973, Greece claimed ownership
of mineral rights in the continental shelf extending from beneath all its
islands in the Aegean. Turkey proposed that the continental shelf be divided
through negotiations. In March 1987, a decision of the Greek government to
nationalize the consortium of companies that were drilling oil off Thasos
(island in Aegean dispute), and planned exploratory oil drilling 11 miles east
of the island of Thasos, such as the impression by Turkey that Greece was
planning new researches for oil, provoked tension between the two countries.
The crisis escalated, armed forces of both countries were on alert, and both
sides said they would use force if obstructed by the other. The incident nearly
started a war between Greece and Turkey.[1]








[1] New York Times. March 28-29, 1987












	
	
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